Blog Archives

THAT IS THE QUESTION
(NEW ONES-IN ORDER OF PERFECTION)

A MOST VIOLENT YEAR. Just watching Oscar Isaac and Jessica Chastain plus David Oyelowo act is reason enough to see this not very violent film. It’s set in 1981 New York City where mob control of the furnace oil delivery business is the entire plot. Oscar Isaac is the main Al Pacino– type nice guy fighting the evil truckers. Jessica Chastain doesn’t get a chance to do much but what she does is near-perfect. Go see this film IF you like well made films.

BLACK SEA. Jude Law gets a great chance to play atough, driven, courageous, mean submarine captain….and he does it perfectly, it’s a Jude Law we’ve seldom if ever, seen on screen. A bunch of non- communicating Russians and Brits are forced to work together to get $182 million dollars worth of gold bars out of a sunken German U-Boat. It’s incredibly tense, all underwater, and probably best described as a “mans” movie….and it’s really, really, good.

OSCAR NOMINATED LIVE ACTION SHORTS. A few years ago one of these Oscar Shorts had an interview with a filmaker who said how much deeper, better, easier, cheaper it is to make shorts than to attempt “greatness” or even getting your “statement out” in a full length film. This years live action shorts AND the animated shorts are all so much better in general than the years out- put of feature length films…it just isn’t funny. Butter Lamp from China (and set in Tibet) is worth the price of admission.

OSCAR NOMINATED ANIMATED SHORTS.Try to sneak in and see “Duet” a gorgeous, colorful 4 minute love story. Unfortunately it didn’t make the final cut for Oscar nominations but it’s being shown anyway. Go see this grand grouping of shorts.

BLACK OR WHITE. Kevin Costner and Octavia Spencer battle it out over the loosey-goosey Hollywood style color line plot. This film is supposed to be dealing with the ongoing racist life styles in the USA but it really doesn’t. It’s a superficial and actually a very stereotyped thin attempt to make a statement…save your money.

STILL PLAYING AT A THEATRE NEAR US
FROM BEST TO REALLY BAD

BIRDMAN. Great cast with Michael Keaton, Edward Norton, Zach Galifianakis, and Lindsay Duncan. Keaton is always good and here he plays an ex Batman/Birdman who tries to make it back to fame in a Broadway play. This is not a simple Hollywood flick!!! Don’t expect some cheap laughs, and takeoffs on Batman movies. It’s a complicated psychological look at egos, fame, friendship, family. It’s a very fine film, worth your going to see by all means. It’s just deeper than the previews make you think. I’m betting on this to take the best film Oscar!!!

THE IMITATION GAME.Excellent film, and if you care a lot about authenticity look the plot up on Wikipedia (much artistic license) but it doesn’t matter, it’s still a fine film. Benedict Cumberbatch as Alan Turing and Keira Knightly as his best friend are nearly perfect. It’s all about breaking the code that the Germans were using during WW2. Turing invents a machine, and in spite of his extra odd personality, the Germans are defeated. The sub theme of Turing’s then illegal homosexuality, and the deathly consequences he paid for it are strangly underplayed, but significent. See this fine film asap.

THE THEORY OF EVERYTHING.Stephen Hawking is played by Eddie Redmayne who did Les Miserables. Felicity Jones from Spider Man 2 and Emily Watson is in it too but you’ll hardly recognize her. David Thewlis is also perfect and downplays his role nicely. It’s a heart rending- tear jerker- feel very good- movie. Redmayne will be near the top for an Oscar because they always go for handicapped roles (My Left Foot, Rainman etc.). There’s very little of Hawkings actual scientific genius in the film. It’s more about how later he split from his long suffering and eternally supportive wife and went for his beautiful sexy caretaker and how his wife paired up with her choir director!!! Hawkings book A BRIEF HISTORY OF TIME sold more than 10 million copies in twenty years (but only 8 people read it!!). It was translated into 35 languages sez Wikipedia.The Met has commissioned an opera based on the book which should happen in 2015. Wikipedia also says, “the theory of everything, is a physicists’ jargon term for a theory in physics which unifies the four fundamental forces of nature: gravity, the strong force, the weak force, and the electromagnetic force”, but recently Hawking says that theory will probably never happen. Go see it, and bring a hankie.

SELMA. Given the state of racial affairs in the USA and the world today, this movie should be seen by every thinking human.It’s a powerful document of a shameful historic period in our history that should never be forgotten. There are many facts, lessons, and messages here that need repeating over and over again, no matter how well you think you remember or understand our Civil Rights issues. It gives us a real picture of Martin Luther King and David Oyelowo portrays him beautifully. Tom Wilkinson isn’t a great LBJ but he tries hard and Rotten Tomatoes gives it a 99, so there you are. Go see it.

MR. TURNER. Mike Leigh the director of this partial biography, doesn’t make simple films. Secrets & Lies, Life is Sweet, and High Hopes among others. Mr. Turner is famed ‘action” painter J.M.W. Turner (1775-1851). Timothy Spall plays Turner and is so kinky and erractic that you can’t stop watching him. But the story line is so pointless, jumpy, erractic and odd that you constantly keep wide awake just trying to piece it together for your own sake. It’s a curious film, not a great film, and you’ll wonder what point Mike Leigh was trying to make when he directed this beautifully photographed attempt.

INHERENT VICE. I can’t review this film fairly. I can’t “get into” Thomas Pynchon’s books and this film is an excellent adaptation of his 2009 Los Angeles themed novel. Like his books the film’s plot weaves and staggers leaps ahead and falls back. Here’s what a friend of mine who knows Pynchon as a friend said of the film…” Upon further reflection, I realize now that when I said the movie was schizophrenic, what I was feeling was that there was no coherent thematic feel (despite a cinematic unity/style) but that THAT is precisely the nature of Tom’s writing. His stock in trade is the mixture of high and low culture, profane/sacred, slapstick/goofiness with high art/glorious writing. This and his (consistent) paranoid/anti-authoritarian/pro-individual themes contributes to his status as a primary source of “postmodern” literature. We like our stories to be linear and with a consistent theme or tone, whether books or movies, despite our own experience that real life is a hodgepodge of conflicting occurrences and desires, successes and failures, punches out of left field, transcendent grace, whacky/strange/unpleasant thoughts, wistful memories of lost loves/opportunities, etc. creating a general posture of “Huh?” This befuddlement and all of society’s attempts to “explain” or provide coherency/context (religion, morality, philosophy, politics, etc.) at the expense of individual spontaneous expression and our general turning away from looking at the usually disastrous, and evil consequences and actions of these (corporate/fascist) control mechanisms is a central theme of Tom’s writing. That Yin/Yang “chaotic” nature is, I think, what I was feeling and it perfectly captures Tom’s writing style. So I think this movie is a resounding success not only in presenting the primary story line but in somehow capturing the quality of the writing in the film. It is not a film for everybody, nor are the books”. A complex review , a complex film, and a very complex writer.

CAKE. The big talk about this saga is Jennifer Anniston’s not wearing her usual amount of makeup, and it works. The script isn’t great, it’s slow, and has some odd-unrelated scenes but it still remains an interesting story of a woman dealing with some serious tragedies in her life. She uses pills like water and thinks about suicide quite a bit…it’s like I said, a very “interesting” film.

AMERICAN SNIPER. Director Clint Eastwood downplays the bar fighting, cruder aspects of this Navy Seal sniper who killed 160 humans and maybe another 95 not confiirmed. Brad Cooper got all big and tubby for the part, and does a great job as an actor. We see a bit of complexity and thoughtfulness from this killing machine, but untimately its’ another Eastwood product. Only go if you like killing, war, and surprise endings, or if you want to see Brad Cooper acting like it’s really a baby and not a doll he holds in one scene!!!

UNBROKEN.More than a few critics have remarked about director Angelina Jolie’s focus on male torture in this near-true saga. It’s a Hollywood product, all heroism, suffering, payoff at the end, and unless you need to feel bad, think twice before you see this one.

INTO THE WOODS. By now we all know the cast, Meryl Streep, Emily Blunt, James Corden Johnny Depp, Chris Pine and Anna Kendrick.We know too that Stephen Sondheim wrote the music, and yet it misses. It’s a clever mixing of Red Riding Hood, Cinderella, Jack and the Beanstalk, and Rapunzel, and still it doesn’t hang together. The plot is crazy and lacks cleverness, the singing is what you’d expect fom that lineup of non-singing stars, and you’ll just sit there and watch the screen and leave unimpressed.

WILD. Any Santa Cruzan will be totally sucked in when Reese Witherspoon starts hiking the Pacific Crest Trail and starts reading a copy of one of Adrienne Rich’s books. Somebody mentions Adrienne later in the film too. Cheryl Strayed did hike the PCT and wrote the book.Thomas Sadoski from HBO’s The Newsroom is in it too. Good acting, a few award nominations are already happening and it’s a very good feel-good movie. Not a great movie but a good feel good thing….especially for women. And it wasn’t filmed in California!!!

THE HOBBIT: THE BATTLE OF THE FIVE ARMIES. This is supposed to end the Hobbit trilogies, but considering the huge opening weekend they’ll probably squeeze another dwarf flick and go for four. Yes, Martin Freeman is still in it as Bilbo Baggins, the titular lead of the little people. So is Ian McKellen, Elijah Wood, and good old Ian Holm for two minutes at the end. Like Exodus it’s all done with pixels, and it’s impossible to tell one army fromanother. It’s very bloody and violent as all these billion dollar money makers are. So if you want to support more of these torture scenes , just go.

BLACKHAT. Australian Chris Hemsworth noted mostly for playing Thor brings the same stupidity to this worst movie of 2015. He tries to play someone who can read and write and use a computer. Even if you can believe that…you still shouldn’t see this movie. It’s about hacking, nuclear power plants and lots of bloody chase scenes. It’s a terrible film, and I left before it ended.

MORTDECAI. To watch a cast such as Johnny Depp, Gwyneth Paltrow, Ewan McGregor, Jeff Goldblum, Paul Bettany and Olivia Munn camp and ham their roles in this sad excuse for a comedy is not just embarrassing, it’s a waste of your money. There’s not a clever or intelligent moment in it. Actually it’s closer to a Jeff Apatow/Seth Rogen/Adam Sandler type gross out than any British comedy they might have been trying to copy. Don’t go, by any means.

THE INTERVIEW. Yes, I saw that desperate, anti-North Korea gross-out attempt at a comedy. More than that, I saw it Christmas night with daughter Jennifer at famed Hollywood theatre, The Crest.The Crest was built in 1940 and has been named a cultural landmark. Three TV Stations were there to cover any and all action as this indy theatre defied the SONY ban on distribution. James Franco and Seth Rogen should be very ashamed to appear in as ignorant, vile, unclever film like this. The only funny line in it was when Rogen said about North Korean leader Kim Jong Un, “he’s gone to bed with more women than Ellen De Generes“.